Composer: Fernando J. Obradors () Teresa Berganza, soprano; Felix Lavilla, piano. Aix-en-provence festival 18 July El Vito. El vito is a traditional folk song and dance music of Andalusia whose origins can be traced back to the 16th century. Its name refers to the “disease” known as St. Fernando (Ferran) Jaumandreu Obradors (–) was a Spanish composer . Obradors His orchestral work “El Poema de la Jungla” is inspired by The Jungle Book stories by Rudyard Kipling. Many of his contemporaries left Spain to .

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On with the dancing, on with the dancing, ole! Emily April 7, at 8: Newer Post Older Post Home. Ednaldo Borba April 12, at 1: The piece is very atmospheric and has the feeling of being in the tavern, as is the origin of the piece.

It is such an effective performance. Stop your teasing, sir, else I’ll blush! Shannon McAleb April 5, at The relatively lenghty prelude is really carried by the repeated notes in the piano. Somehow Theresa Berganza sings this with a sense of relaxed ease, you can see it in her body and hear it in her voice.

Canciones Clásicas Españolas, Vol.3 (Obradors, Fernando)

Amalia Osuga April 6, at 9: Need to say it again: April Phillips April 5, at The pianist did a great job in making each note speak such that there was a lot of energy from the piano part. The piano part somehow reminds me of Falla’s “Polo” the repeated notes. The way the voice and piano interact is playful, discrete and yet so profound. This blog was created to provide a place to discuss the music and texts of vocal performances of various styles and languages.


Although the piano version is exciting, pianists should really emulate the guitar which it is obviously modeled after. For the time being, the topics are organized according to geographic locations.

Fernando Obradors

Thank you for posting it for us. And I really like Teresa Berganza’s facial expressions and body language in here.

She is precise, but so comfortable and relaxed, creating natural rubato within each phrase. Teresa Berganza does this perfectly, beautifully, and with dramatic intent. The piano is very reminiscent of the guitar with the repetitions, and the singer uses her face very well to interpret the text. Dylan Bunten April 9, at 9: The introduction reminds vvito of Albeniz’s Leyenda.

The piano prelude made me think of Lara’s Granada. Berganza’s performance of the Obradors could not be more dynamic, and I love the nonchalant way she presents this difficult song. All materials found here are for educational purposes only.

Her body language was great as well. Ulysses April 6, at I want to learn this piece! The ease in which she performed all aspects of this e was so entertaining. Again, the dance begins when Berganza comes in. I love this piece and have Sierra’s sparkling eyes in mind as I was listening.

Sunday, March obradore, “El vito” by Obradors. Katalin April 7, at 2: I enjoyed the rhythmic energy and drive of this music. Another example of a translation from guitar to piano. Emma Lynn April 8, at 5: I love this piece!!! Underlying the melody is a sense of danger, and I love how Berganza draws kbradors listener in. She brings so much nuance to the character, and what a piano part! I love the piano’s role with the repeated notes.

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Then there is a break in the dance again when the piano has its little interlude. Beverly April 8, at 8: She communicates so much with just her eyes.

It embodies so much of what one expects of the “Spanish” obraxors. Another thrilling piece that keeps you on the edge of your seat!

Song Lied Mélodie: “El vito” by Obradors

I wonder if the quickly repeated notes that are so difficult on the piano are an example of “punteado” as was described by Kimball in the reading. The introduction of the piano was absolutely amazing it really built up the excitement for the piece. It kind of feels not quite finished even though the way the pianist played the final chords would indicate an end.

The guitar figures are apparent in the piano accompaniment. Yoshi April 10, at 9: This seems like a really fun song to perform. As is the case with all of Teresa Berganza’s performances that have been shared, she has an amazing expressive power and genuine performance persona that is impeccable.