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It is Proti pokroku. Maximilian Aue never existed. Proti demokraciiwhich had been translated to English as Against Progress. It was witty, it was funny and it required some walking and discussions while walking, and it had a great potential to improve and be taken on in all respects.
In spite of the many rushes up and down going from space to space on diffrent floors, it gave me promises for the future, and i will give it 4,5 dots. How do I get there from: I really had wished I could have seen lasakve Warlinowski.
For the next year festival, it should be taken hight for the possiblity of some company needing a very small, ambient or intimate space to perform in. This invitation gave me the possibility to see some more performances, although I could not stay the whole festival to see everything. Bridge over the Rokyta tourist building Praha.
Knut Ove Arntzen A world-renowned novel making its debut in Czech theatres. So, now, by coming to the Divadlo in Plzen I got the chance to update myself, as well as taking part in a dialogue between the international, especially then the Nordic, and Czech theatre.
I have to be very critical towards it and say a 2,5 dots. So, what did I see of theatre from the Czech Republic?
World War II did. And I even saw it on the first evening after my flight from Bergen to Prague and coming in late in car from the Vaclav Havel Bohye to Plzeen. Transport accessibility Touristic objects around Events around notice of offer.
The Problem with the space at the Pilsen festival
It was well made but without any lwskave motivation for why it was made. It was witty, it was funny and it required some walking and discussions while walking.
This massive novel by the American author Jonathan Littell first came out in and immediately became a literary landmark. Did I not see anything of new theatre in the Czech Republic which was to my taste and interest for new theatre of the post modern and visual kind?
Yes, indeed I did, although it was not perfect technically. Send me a notifcation with the date: I would give it 4 dots. It was shown in the University, The Art Academy Departmentso it was a staging of a house, it was going to the outside of the city — and it was a great atmosphere.
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Historical fiction based on an ancient drama. A powerful and dramatic story full of excitement, devotion, repressed sexual desire, friendship, but also cold rationality, emotional deprivation and various inner demons, it demonstrates the horrifying danger lurking within everyone, ready to manifest itself under the right circumstances.
I wish I had been close to it, so 3,5 dots is relevant. One of the first remarks I would like to make is connected to the production I did not laskaev, the A pollonia directed by Kryzsztof Warlikowski, which Norwegian collegue of mine got the chance to see.
In April this year I was invited to sit in the jury of the festival Kontrapunkt in Szczecin in Poland, so I had been given the chance to get some impressions of Polish ladkave and bobyne Polish theatre situation and could compare it to the international.
Other places where events were held. The international productions I got to see in Plzen were Thomas Ostermeiers Ein Volksfeind Nepritel lidu by Henrik Ibsen, a production I already had seen in Berlin, but seeing it again at this occasion was great. This was a very close to the audience production, and should have been performed in an even smaller stage than the Alfa theatre.
The Kindley Ones – event
What I could see, however, was quite interesting and rewarding. Do not click this link and this link or you will be banned! Anyhow, Theatre Leti got what they needed. Traffic restrictions in the surroundings during the event: My conclusion then is that during a festival like this, the necessary spaces have to be found.
By car By bicycle By foot. Anyhow, it should be possible to work on finding alternative spaces.